Nuno da Luz (Lisbon, 1984) is an artist and researcher whose practice circumscribes both aural and visual in the form of installations, performances and printed matter (through the publishing collective ATLAS), undulating between ecologies of noise-making and bookmaking.
Currently, he is conducting a phd-track research project in sound arts practice entitled “Echologies of Noise”, dealing with more-than-human forms of sonic worlding. In 2015, he completed the Master Program of Experimentation in Arts and Politics at Sciences Po, Paris, and co-founded COYOTE – an undisciplined collective that takes intersectionality as a method and subject, crossing experimental and conceptual forms.